L-mount news roundup


Unboxing & Field Test: Panasonic Lumix S 100-500mm Lens at Mike’s Camera

Today deals at Amazon, BHphoto, Adorama, Amazon DE, Amazon UK, Amazon FR, Amazon IT, FotoErhardt DE, FotoKoch DE.
LUMIX Live: Go with the Flow / AMA
What Changed Between the LUMIX S1ii and S1iiE? (Matthew Dangyou)
LUMIX S5IIX & S9 are a Perfect Pair? | M43 & Sony ZV-E1 | Podcast! (Geeky Nerdy Tech)
Backpacking for Photographers (Explora)
How to Shoot a Tintype: A Step-by-Step Guide (42West).

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Matthias Dangl: Why I Finally Switched From SONY To LUMIX

Matthias Dangl Main Reasons for Switching to Lumix S1 II:

  • Open Gate Recording (incl. slow-mo): Offers full sensor readout for flexible cropping (e.g. 16:9, 4:5, 9:16) — perfect for multi-platform content. (Sony lacks this feature)
  • Better Color Science for Skin Tones & Greens: No need to constantly tweak color in post. Lumix colors feel more natural and cinematic to him.
  • Superior Stabilization (IBIS): So effective he no longer needs to carry a gimbal, even for running shots.
  • Higher Resolution for Photography: 24MP vs. Sony’s 12MP – better hybrid photo-video performance.
  • Downsampled 6K to 4K Video: Results in sharper, more detailed 4K compared to native 4K from Sony.
  • Dynamic Range Boost Mode: Enables up to 15 stops DR for high contrast scenes (ideal for talking head setups).

Other Advantages:

  • Autofocus now reliable enough for vlogging, people, travel – Sony still slightly better (~10%), but Lumix is “good enough.”
  • Frame rates up to 70fps (electronic shutter).
  • Sensor readout improved (rolling shutter reduced significantly).
  • Feels more “scenic” and less digital in image rendering.

Minor Trade-Offs:

  • Slightly worse low light performance (Sony cleaner in noise).
  • Slightly slower sensor readout (more rolling shutter than Sony, but improved from S5IIX).
  • Dynamic range boost disables some modes (e.g., open gate only up to 24fps).

Final Thought: He chose Lumix S1 Mark II not just for specs — but because the colors, stabilization, open gate, and hybrid capabilities make it the best all-around tool for his creative workflow right now.

Just announced: The SIRUI Astra is the world’s first 1.33x FF Auto Focus Anamorphic Cine Lenses!

Sirui launched the world’s first 1.33x FF Auto Focus Anamorphic Cine Lens lineup on Kickstarter (Click here). Limited Super Early Bird Price 20% Off!

Here is the key info about the new Astra series:

  • World’s first full-frame autofocus anamorphic lens series
  • Fast constant T1.8 aperture for low light and shallow depth of field
  • 1.33× anamorphic squeeze for true cinematic widescreen (≈2.35:1 from 16:9)
  • Compact and lightweight design (around 600–700 g per lens)
  • Full-frame coverage for modern high-resolution cameras
  • Autofocus support ideal for solo shooters, gimbals, and run-and-gun work
  • Practical set of focal lengths: 50mm, 75mm, 100mm
  • Consistent 67mm front filter thread across the set
  • Uniform size and weight for quick lens swaps and easier rigging
  • Classic anamorphic look with oval bokeh, stretched highlights, and horizontal flares
  • Much more affordable than traditional cinema anamorphic lenses

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