Panasonic Lumix S1 II review by DigitalCameraWorld: the best hybrid yet!

DigitalCameraWorld tested the new S1II and concluded:

Panasonic’s Lumix S1 II is the company’s most convincing hybrid yet, built for shooters who prize speed. It’s half-stacked 24 MP sensor fires 70 fps bursts and near-instant readout, virtually killing rolling shutter. Images are crisp, stabilised, and color-accurate, and the revamped phase-detect AF is dependable, although rivals edge it with erratic subjects. Videographers get uncropped 6K/30p open-gate and 4K/120p, plus unlimited record time, making this another compelling Lumix video camera. The catch is price, at $3,199 it tops Nikon’s Z6 III and the EOS R6 II, so buy it only if you plan to fully exploit every spec.

Preorders:
Lumix S1II at Bhphoto, Amazon, Adorama, Fotokoch, FotoErhardt, WexUK.
Lumix S1IIE at Bhphoto, Amazon, Adorama, Fotokoch, FotoErhardt, WexUK.
24-60mm f/2.8 at Bhphoto, Amazon, Adorama, Fotokoch, FotoErhardt, WexUK.

Geeky Nerdy Tech review of the Lumix S9

Geeky Nerdy Tech shared his Lumix S9 vloggin setup guide:

  • SmallRig bottom grip: Adds ergonomics and a dedicated ¼-20 tripod mount without removing the grip.
  • Manfrotto Pixi mini-tripod: Attaches directly to the grip’s ¼-20; rock-solid, easy angle adjustment, perfect for tabletop or walk-and-talk shots.
  • 20–60 mm f/3.5–5.6 kit zoom (▶ recommended): Offers 20 mm wide-angle for talk-to-camera plus 60 mm reach for run-and-gun flexibility. Small size, good IQ.
  • 18–40 mm f/2.8 zoom: Lighter and more compact, but narrower range and slower than the 20–60. Good if weight is your main concern.
  • 18 mm f/1.8 S-Series prime (▶ favorite): Ultra-wide for immersive vlogs, sharp, fast for low-light, pleasing bokeh, superb IBIS performance even at “High.”
  • 24 mm f/1.8 prime: Nice portrait-style look, but too tight when IBIS crops for stabilization—best reserved for controlled, static setups.
  • Stabilization modes
    • Standard: Minimal crop, everyday handheld vlogging balance.
    • High: Extra smoothing for running or bumpy terrain, but heavy crop—use sparingly.
  • Quick toggle: In Movie mode, hold the D-pad to open the menu, select “Stabilization → Video,” then map that to a custom button for on-the-fly switching.
  • Wireless lavalier pack (▶ e.g. Comica Ultra or Rode Wireless Go II): Far-field mic placement, dual channels, internal backup recording, 32-bit float, far superior isolation outdoors or on the move.
  • On-camera shotgun mic (budget option): Only for controlled indoor/studio use—reject for most vlogging scenarios.
  • Picture profiles & codecs
    • Natural: Ready-to-go straight out of camera.
    • Flat: Slightly desaturated for easy highlight/shadow recovery.
    • Cine D: Low-contrast, cinematic base for short films in mild lighting.
    • Portrait: Punchy colors, flattering skin tones.
    • V-Log: Only if you’re comfortable heavy grading in post.
    • Recording format: 4 K 10-bit 4:2:0 at 25/30 p — smooth motion and efficient workflow; for maximum color headroom (or 6 K open-gate), switch to 4:2:2 or higher in MOV.
  • Final recommendations

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One more S9 review:

L-mount news roundup


Panasonic Lumix S 24-60mm F2.8 Review w/ Panasonic S1R II & S1 II

Today deals at Amazon, BHphoto, Adorama, Amazon DE, Amazon UK, Amazon FR, Amazon IT, FotoErhardt DE, FotoKoch DE.
How the Panasonic LUMIX S1II Became My Secret Weapon for Solo Video Content (PetaPixel).
Leica Summilux-SL 50mm f/1.4 – Portrait Shoot BTS (Cory Mayo).
LUMIX Live: The S1II Series less talked about features
5 Months with Panasonic S1R II – Long Term Review ft. FW 1.2 (Hybrid Shooter).
An Approach to Editing Photos from Your Compact Camera (Explora)
Cine Cameras: Are They Worth It? (42West)

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