Wild DIY: Lumix S9 hacked to Sony E‑mount with a Viltrox ring — and it works!

Panasonic Lumix S9 converted to Sony E-mount using a Viltrox L-to-E ring by Chan
DIY: Lumix S9 converted to Sony E-mount (by Chan on RED/Xiaohongshu)

RED (Xiaohongshu) user Chan modified a Panasonic Lumix S9 to accept Sony E-mount lenses. To achieve the correct flange focal distance, he removed the front sensor cover and used a Viltrox E mount adapter. The result combines the S9’s in-camera LUT workflow with the vast E-mount lens ecosystem.

The L mount has a flange distance of 20 mm, while Sony’s E mount has a flange distance of 18 mm. So it’s impossible to adapt E-mount lenses. The only way is to do what Chan did, cut the mount and bring an E mount closer to the sensor. I don’t think you should do that… it takes the right skills to make it work, and you’ll lose your warranty.

Gallery: Lumix S9 to E-mount conversion

 

L-mount news roundup


Panasonic Lumix 24-60mm f2.8 First Look

Today deals at Amazon, BHphoto, Adorama, Amazon DE, Amazon UK, Amazon FR, Amazon IT, FotoErhardt DE, FotoKoch DE.
Sony Fanboy to LUMIX Shill — What Changed? (Vu Nguyen).
LUMIX S9 & SONY ZVE-1: Brothers from another Mother (Geeky Nerdy Tech).
Lumix 20-60mm vs Pana Leica 10-25mm pixel peeping comparison (Aiur Media).
Strobe vs. Continuous: Which Should You Add to Your Lighting Setup? (Explora)
Freeze Mode: What is it? (42West)

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Zach Mayfield claims the Lumix S1IIe is the “Most Underrated Full Frame Hybrid of 2025”

Zach considers the Lumix S1IIe the most underrated camera because it delivers exceptional video and hybrid performance at a significantly lower price than its more hyped siblings, but was completely overshadowed at launch — even by Panasonic themselves.

Here’s why he feels it’s underrated:

1. Quiet Launch & Poor Marketing:
• At the launch event, Panasonic focused almost entirely on the S1II and S1RII, barely mentioning the S1IIE.
• Major websites and even Panasonic’s own site list incorrect specs or incomplete details, creating confusion.
2. Value for Money:
• At $1,000 less than the S1II and S1RII, it offers nearly identical body design, usability, and pro-level features.
• Internals are similar to the trusted S5IIX but with meaningful video improvements like 6K Open Gate and Blackmagic RAW output.
3. Strong Video Capabilities:
• 6K open gate up to 30fps, CineScope 6K60, external BRAW, dual card slots, and robust codecs make it a filmmaker’s dream.
• Despite an older sensor with limitations (no full-frame 4K60), the visual quality is impressive.
4. Pro Usability in a Rugged Body:
• Same durable, ergonomic body as high-end models.
• Great IBIS, autofocus, full-size HDMI, and direct-to-device livestreaming.
• Supports Ari Log C3, giving it flexible, cinematic color options.
5. Real-World Proven Performance:
• Used by Zach and others for everything from YouTube to professional TV production.

In short, the S1IIe gives creators 90% of what the flagship models offer, but for much less money — and its lack of attention is due more to marketing than merit.